Of course, there are drawbacks to its structure: the first game is unevenly paced, with very little happening in its opening act beyond the breadcrumb trails of some basic detective work. It was revolutionary at launch, and there’s still nothing quite like it today you can see components of the series in franchises like Yakuza and Persona, but Shenmue very much stands as its own thing. This is all while the world independently goes about its business, wholly dependent on the time, day, and weather. But unlike the likes of Grand Theft Auto, the sandboxes of Shenmue are deeply interactive, with a seemingly limitless number of buildings that can be entered, and tangible objects that can be collected and inspected.
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The game’s revolutionary FREE gameplay format promised Full Reactive Eyes Entertainment at the time – better known as open world today. Save for a late camping excursion in the Guilin countryside towards the backend of Shenmue II, the franchise bucks the trend of idyllic settings, settling for the drab backdrop of mid-80s Japan and Hong Kong. The sequel improved on the concept dramatically, expanding on the scope and introducing a raft of pacing improvements, but the series was always considered an acquired taste – and 20 years later, that very much remains the case. SEGA legend Yu Suzuki spent a small fortune on the first foray’s dingy Yokosuka setting, but despite being wildly original, the game attracted both criticism and acclaim for committing rigidly to reality. Shenmue may be considered a cult classic, but it’s important to remember that Ryo Hazuki’s revenge mission divided critics when it originally released on the Dreamcast almost two decades ago.
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